| Sonntagsmessen und Konzerte | |||
| Das Konzertereignis des Jahres am 11.12.2016: Zubin Mehta dirigiert die Missa in tempore belli ("Paukenmesse") von Joseph Haydn und die "Symphonie g-Moll" von Wolfgang Amadeus Mozart. Sichern Sie sich Ihre Tickets hier |
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Termine 2015/2016
Gutscheine Wiener Hofburgkapelle
Gutscheine Wiener Hofmusikkapelle
Zur Einlösung für Messen und Konzerte in der Hofburgkapelle. Bei Einlösung für Vorstellungen zwischen dem 15.1. und 26.3.2017 erhalten Sie 30% auf den Kartenpreis.
Gutschein
Gutschein Wiener Hofburgkapelle für einen Gratisbesuch
Gutschein Wiener Hofburgkapelle für einen Gratisbesuch ⓘ
Wiener Hofmusikkapelle Gutscheine
Culturall-Gutschein
Sunday Su 12 12 Su, 12. 04. 2026 09:15 - 10:35
12.4.2026
April 04 4 2026 9:15 am 9:15 am Su, 9:15 am duration: 80 min 09.15 - 10.35
Messe/Konzert
Missa brevis B-Dur, KV 275
W. A. Mozart
Missa brevis B-Dur, KV 275 ⓘ
W. A. Mozart ⓘ
Missa brevis B-Dur, KV 275
Wiener Hofburgkapelle
Hofburg - Schweizerhof, 1010 Wien
It is kindly requested that seats be taken by 9 am. Picture and sound recordings are not permitted.
Sunday Su 19 19 Su, 19. 04. 2026 09:15 - 10:35
19.4.2026
April 04 4 2026 9:15 am 9:15 am Su, 9:15 am duration: 80 min 09.15 - 10.35
Messe/Konzert
Missa brevis F-Dur, KV 192
W. A. Mozart
Missa brevis F-Dur, KV 192 ⓘ
W. A. Mozart ⓘ
Missa brevis F-Dur, KV 192
Wiener Hofburgkapelle
Hofburg - Schweizerhof, 1010 Wien
It is kindly requested that seats be taken by 9 am. Picture and sound recordings are not permitted.
Sunday Su 26 26 Su, 26. 04. 2026 09:15 - 10:55
26.4.2026
April 04 4 2026 9:15 am 9:15 am Su, 9:15 am duration: 100 min 09.15 - 10.55
Messe/Konzert
<strong>Ludwig van Beethoven (1770-1827): Mass in C major, op. 86</strong>
Ludwig van Beethoven had a connection with church music from childhood onwards; even at a very young age, while still in Bonn, he served as court organist. Even though he created relatively few church music compositions, they seem to have been of importance to him in his personal engagement with the faith.
The C major Mass was a commission from Nicholas II Prince Esterházy in Eisenstadt. Every year, on the name day of Maria Josepha Hermenegilde Princess Esterházy de Galantha, there was a great celebration with a representative service. Joseph Haydn's late masses were intended for these celebrations - Beethoven had received the commission for 1807. Haydn's compositions were already held in high esteem at the time, which must have commanded respect from Beethoven, who still had little to offer in this field. Thus, in a letter to the prince, he wrote, "may I also say that I will hand over the Mass to them with much fear, since Their Serene Highness are used to having performed the inimitable masterpieces of the Great Haidn for them."
Knowing the tradition and after intensive study of Haydn's masses, Beethoven transposed the text into a very personal tonal language; as he himself writes, he approached it "in a way that it has rarely been treated before". Perhaps because it was so different, but probably above all because of its late completion and lack of rehearsal time, the premiere in Eisenstadt on 13 September 1807 was anything but a success - at least in the eyes of the Prince.
The Mass gets by without big arias, rather works with all the harmonic, contrasting changing moods, is varied, expressive, but at the same time with a certain withdrawn simplicity in which the text is in the foreground, with its very personally differentiating musical interpretation.
Dr.in Maria Helfgott
Translation: Godwin Gundacker
<strong>Dirigentin</strong>: Mirjam Schmidt
<strong>Organist</strong>: Wolfgang Kogert
<strong>Chor</strong>: Wiener Sängerknaben, Mitglieder des Herrenchors der Wiener Staatsoper und Choralschola der Wiener Hofburgkapelle
<strong>Orchester</strong>: Mitglieder des Orchesters der Wiener Staatsoper
<strong>Zelebrant</strong>: Peter Schipka
<strong>Dauer</strong>: ca. 100 min (09:15- 10:55)
L. v. Beethoven
<strong>Ludwig van Beethoven (1770-1827): Mass in C major, op. 86</strong>
Ludwig van Beethoven had a connection with church music from childhood onwards; even at a very young age, while still in Bonn, he served as court organist. Even though he created relatively few church music compositions, they seem to have been of importance to him in his personal engagement with the faith.
The C major Mass was a commission from Nicholas II Prince Esterházy in Eisenstadt. Every year, on the name day of Maria Josepha Hermenegilde Princess Esterházy de Galantha, there was a great celebration with a representative service. Joseph Haydn's late masses were intended for these celebrations - Beethoven had received the commission for 1807. Haydn's compositions were already held in high esteem at the time, which must have commanded respect from Beethoven, who still had little to offer in this field. Thus, in a letter to the prince, he wrote, "may I also say that I will hand over the Mass to them with much fear, since Their Serene Highness are used to having performed the inimitable masterpieces of the Great Haidn for them."
Knowing the tradition and after intensive study of Haydn's masses, Beethoven transposed the text into a very personal tonal language; as he himself writes, he approached it "in a way that it has rarely been treated before". Perhaps because it was so different, but probably above all because of its late completion and lack of rehearsal time, the premiere in Eisenstadt on 13 September 1807 was anything but a success - at least in the eyes of the Prince.
The Mass gets by without big arias, rather works with all the harmonic, contrasting changing moods, is varied, expressive, but at the same time with a certain withdrawn simplicity in which the text is in the foreground, with its very personally differentiating musical interpretation.
Dr.in Maria Helfgott
Translation: Godwin Gundacker
<strong>Dirigentin</strong>: Mirjam Schmidt
<strong>Organist</strong>: Wolfgang Kogert
<strong>Chor</strong>: Wiener Sängerknaben, Mitglieder des Herrenchors der Wiener Staatsoper und Choralschola der Wiener Hofburgkapelle
<strong>Orchester</strong>: Mitglieder des Orchesters der Wiener Staatsoper
<strong>Zelebrant</strong>: Peter Schipka
<strong>Dauer</strong>: ca. 100 min (09:15- 10:55) ⓘ
L. v. Beethoven ⓘ
Messe C-Dur
Franz Schubert
Wiener Hofburgkapelle
Hofburg - Schweizerhof, 1010 Wien
It is kindly requested that seats be taken by 9 am. Picture and sound recordings are not permitted.
Sunday Su 03 3 Su, 03. 05. 2026 09:15 - 10:35
3.5.2026
May 05 5 2026 9:15 am 9:15 am Su, 9:15 am duration: 80 min 09.15 - 10.35
Messe/Konzert
Missa brevis F-Dur, KV 192
W. A. Mozart
Missa brevis F-Dur, KV 192 ⓘ
W. A. Mozart ⓘ
Missa brevis F-Dur, KV 192
Wiener Hofburgkapelle
Hofburg - Schweizerhof, 1010 Wien
It is kindly requested that seats be taken by 9 am. Picture and sound recordings are not permitted.
Mass/Concert
Auner Quartett in der Hofburgkapelle (3)
Auner Quartett in der Hofburgkapelle (3)
Auner Quartett in der Hofburgkapelle (3) ⓘ
Auner Quartett in der Hofburgkapelle (3) ⓘ
Das Auner Quartett und Christoph Hinterhuber am Klavier
Johanna Doderer | Franz Schubert | Johannes Brahms
Wiener Hofburgkapelle
Hofburg - Schweizerhof, 1010 Wien
Sunday Su 10 10 Su, 10. 05. 2026 09:15 - 10:30
10.5.2026
May 05 5 2026 9:15 am 9:15 am Su, 9:15 am duration: 75 min 09.15 - 10.30
Messe/Konzert
Missa cum jubilo
Maurice Duruflé
Missa cum jubilo ⓘ
Maurice Duruflé ⓘ
Missa cum jubilo
Maurice Duruflé
Wiener Hofburgkapelle
Hofburg - Schweizerhof, 1010 Wien
It is kindly requested that seats be taken by 9 am. Picture and sound recordings are not permitted.
Sunday Su 17 17 Su, 17. 05. 2026 09:15 - 10:35
17.5.2026
May 05 5 2026 9:15 am 9:15 am Su, 9:15 am duration: 80 min 09.15 - 10.35
Messe/Konzert
Missa brevis D-Dur, KV 194
W. A. Mozart
Missa brevis D-Dur, KV 194 ⓘ
W. A. Mozart ⓘ
Missa brevis D-Dur, KV 194
Wiener Hofburgkapelle
Hofburg - Schweizerhof, 1010 Wien
It is kindly requested that seats be taken by 9 am. Picture and sound recordings are not permitted.
Sunday Su 24 24 Su, 24. 05. 2026 09:15 - 10:55
24.5.2026
May 05 5 2026 9:15 am 9:15 am Su, 9:15 am duration: 100 min 09.15 - 10.55
Messe/Konzert
<strong>Ludwig van Beethoven (1770-1827): Mass in C major, op. 86</strong>
Ludwig van Beethoven had a connection with church music from childhood onwards; even at a very young age, while still in Bonn, he served as court organist. Even though he created relatively few church music compositions, they seem to have been of importance to him in his personal engagement with the faith.
The C major Mass was a commission from Nicholas II Prince Esterházy in Eisenstadt. Every year, on the name day of Maria Josepha Hermenegilde Princess Esterházy de Galantha, there was a great celebration with a representative service. Joseph Haydn's late masses were intended for these celebrations - Beethoven had received the commission for 1807. Haydn's compositions were already held in high esteem at the time, which must have commanded respect from Beethoven, who still had little to offer in this field. Thus, in a letter to the prince, he wrote, "may I also say that I will hand over the Mass to them with much fear, since Their Serene Highness are used to having performed the inimitable masterpieces of the Great Haidn for them."
Knowing the tradition and after intensive study of Haydn's masses, Beethoven transposed the text into a very personal tonal language; as he himself writes, he approached it "in a way that it has rarely been treated before". Perhaps because it was so different, but probably above all because of its late completion and lack of rehearsal time, the premiere in Eisenstadt on 13 September 1807 was anything but a success - at least in the eyes of the Prince.
The Mass gets by without big arias, rather works with all the harmonic, contrasting changing moods, is varied, expressive, but at the same time with a certain withdrawn simplicity in which the text is in the foreground, with its very personally differentiating musical interpretation.
Dr.in Maria Helfgott
Translation: Godwin Gundacker
<strong>Dirigentin</strong>: Mirjam Schmidt
<strong>Organist</strong>: Wolfgang Kogert
<strong>Chor</strong>: Wiener Sängerknaben, Mitglieder des Herrenchors der Wiener Staatsoper und Choralschola der Wiener Hofburgkapelle
<strong>Orchester</strong>: Mitglieder des Orchesters der Wiener Staatsoper
<strong>Zelebrant</strong>: Peter Schipka
<strong>Dauer</strong>: ca. 100 min (09:15- 10:55)
L. v. Beethoven
<strong>Ludwig van Beethoven (1770-1827): Mass in C major, op. 86</strong>
Ludwig van Beethoven had a connection with church music from childhood onwards; even at a very young age, while still in Bonn, he served as court organist. Even though he created relatively few church music compositions, they seem to have been of importance to him in his personal engagement with the faith.
The C major Mass was a commission from Nicholas II Prince Esterházy in Eisenstadt. Every year, on the name day of Maria Josepha Hermenegilde Princess Esterházy de Galantha, there was a great celebration with a representative service. Joseph Haydn's late masses were intended for these celebrations - Beethoven had received the commission for 1807. Haydn's compositions were already held in high esteem at the time, which must have commanded respect from Beethoven, who still had little to offer in this field. Thus, in a letter to the prince, he wrote, "may I also say that I will hand over the Mass to them with much fear, since Their Serene Highness are used to having performed the inimitable masterpieces of the Great Haidn for them."
Knowing the tradition and after intensive study of Haydn's masses, Beethoven transposed the text into a very personal tonal language; as he himself writes, he approached it "in a way that it has rarely been treated before". Perhaps because it was so different, but probably above all because of its late completion and lack of rehearsal time, the premiere in Eisenstadt on 13 September 1807 was anything but a success - at least in the eyes of the Prince.
The Mass gets by without big arias, rather works with all the harmonic, contrasting changing moods, is varied, expressive, but at the same time with a certain withdrawn simplicity in which the text is in the foreground, with its very personally differentiating musical interpretation.
Dr.in Maria Helfgott
Translation: Godwin Gundacker
<strong>Dirigentin</strong>: Mirjam Schmidt
<strong>Organist</strong>: Wolfgang Kogert
<strong>Chor</strong>: Wiener Sängerknaben, Mitglieder des Herrenchors der Wiener Staatsoper und Choralschola der Wiener Hofburgkapelle
<strong>Orchester</strong>: Mitglieder des Orchesters der Wiener Staatsoper
<strong>Zelebrant</strong>: Peter Schipka
<strong>Dauer</strong>: ca. 100 min (09:15- 10:55) ⓘ
L. v. Beethoven ⓘ
Messe C-Dur
Franz Schubert
Wiener Hofburgkapelle
Hofburg - Schweizerhof, 1010 Wien
It is kindly requested that seats be taken by 9 am. Picture and sound recordings are not permitted.
Sunday Su 31 31 Su, 31. 05. 2026 09:15 - 10:45
31.5.2026
May 05 5 2026 9:15 am 9:15 am Su, 9:15 am duration: 90 min 09.15 - 10.45
Wolfgang Amadeus Mozart
Wiener Hofburgkapelle
Hofburg - Schweizerhof, 1010 Wien
It is kindly requested that seats be taken by 9 am. Picture and sound recordings are not permitted.
Sunday Su 07 7 Su, 07. 06. 2026 09:15 - 10:45
7.6.2026
June 06 6 2026 9:15 am 9:15 am Su, 9:15 am duration: 90 min 09.15 - 10.45
Wiener Hofburgkapelle
Hofburg - Schweizerhof, 1010 Wien
It is kindly requested that seats be taken by 9 am. Picture and sound recordings are not permitted.
Sunday Su 14 14 Su, 14. 06. 2026 09:15 - 10:15
14.6.2026
June 06 6 2026 9:15 am 9:15 am Su, 9:15 am duration: 60 min 09.15 - 10.15
Wolfgang Amadeus Mozart
Wiener Hofburgkapelle
Hofburg - Schweizerhof, 1010 Wien
It is kindly requested that seats be taken by 9 am. Picture and sound recordings are not permitted.
Sunday Su 21 21 Su, 21. 06. 2026 09:15 - 10:45
21.6.2026
June 06 6 2026 9:15 am 9:15 am Su, 9:15 am duration: 90 min 09.15 - 10.45
Wiener Hofburgkapelle
Hofburg - Schweizerhof, 1010 Wien
It is kindly requested that seats be taken by 9 am. Picture and sound recordings are not permitted.
Sunday Su 28 28 Su, 28. 06. 2026 09:15 - 10:45
28.6.2026
June 06 6 2026 9:15 am 9:15 am Su, 9:15 am duration: 90 min 09.15 - 10.45
Wolfgang Amadeus Mozart
Wiener Hofburgkapelle
Hofburg - Schweizerhof, 1010 Wien
It is kindly requested that seats be taken by 9 am. Picture and sound recordings are not permitted.
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